Concept Search

Quantification: many to many (0,n,0,n)
Scope note:

This property allows sub typing of CRM entities - a form of specialisation – through the use of a terminological hierarchy, or thesaurus.

The CRM is intended to focus on the high-level entities and relationships needed to describe data structures. Consequently, it does not specialise entities any further than is required for this immediate purpose. However, entities in the isA hierarchy of the CRM may by specialised into any number of sub entities, which can be defined in the E55 Type hierarchy. E51 Contact Point, for example, may be specialised into “e-mail address”, “telephone number”, “post office box”, “URL” etc. none of which figures explicitly in the CRM hierarchy. Sub typing obviously requires consistency between the meaning of the terms assigned and the more general intent of the CRM entity in question.

• www.cidoc.icom.org (E51) has type URL (E55)

Quantification: many to many (0,n:0,n)
Scope note:

This property allows sub typing of CRM entities - a form of specialisation – through the use of a terminological hierarchy or thesaurus. The CRM is intended to focus on the high-level entities and relationships needed to describe data structures. Consequently it does not specialise entities any further than is required for this immediate purpose. However entities in the isA hierarchy of the CRM may by specialised into any number of sub entities which can be defined in the E55 Type hierarchy. E51 Contact Point for example may be specialised into “e-mail address” “telephone number” “post office box” “URL” etc. none of which figures explicitly in the CRM hierarchy. Sub typing obviously requires consistency between the meaning of the terms assigned and the more general intent of the CRM entity in question.

• “enquiries@cidoc-crm.org” (E51) has type e-mail address (E55)

Quantification: many to many (0,n:0,n)
Scope note:

This property allows sub typing of CIDOC CRM entities –a form of specialisation –through the use of a terminological hierarchy, or thesaurus.

The CIDOC CRM is intended to focus on the high-level entities and relationships needed to describe data structures. Consequently, it does not specialise entities any further than is required for this immediate purpose. However, entities in the isA hierarchy of the CIDOC CRM may by specialised into any number of sub entities, which can be defined in the E55 Type hierarchy. E41 Appellation, for example,may be specialised into “e-mail address”, “telephone number”, “post office box”, “URL” etc. none of which figures explicitly in the CIDOC CRM hierarchy. A comprehensive explanation about refining CIDOC CRM concepts by E55 Type is given in the section “About Types” in the section on “Specific Modelling Constructs” of this document.

This property is a shortcut for the path from E1 CRM Entity through P41i was classified by, E17 Type Assignment, P42 assigned, E55 Type.

• “enquiries@cidoc-crm.org” (E41) has type e-mail address (E55) (fictitious)

Quantification: many to many (0,n:0,n)
Scope note:

This property allows sub typing of CRM entities - a form of specialisation – through the use of a terminological hierarchy or thesaurus. The CRM is intended to focus on the high-level entities and relationships needed to describe data structures. Consequently it does not specialise entities any further than is required for this immediate purpose. However entities in the isA hierarchy of the CRM may by specialised into any number of sub entities which can be defined in the E55 Type hierarchy. E51 Contact Point for example may be specialised into “e-mail address” “telephone number” “post office box” “URL” etc. none of which figures explicitly in the CRM hierarchy. Sub typing obviously requires consistency between the meaning of the terms assigned and the more general intent of the CRM entity in question.

• “enquiries@cidoc-crm.org” (E51) has type e-mail address (E55)

Quantification: many to many (0,n:0,n)
Scope note:

• Van Eyck’s pigment grinding in 1432 (E7) had specific purpose the painting of the Ghent altar piece (E12)

Quantification: many to many (0,n,0,n)
Scope note:

This property identifies the relationship between a preparatory activity and the event it is intended to be preparation for.

This includes activities, orders and other organisational actions, taken in preparation for other activities or events.

P20 had specific purpose (was purpose of) implies that an activity succeeded in achieving its aim. If it does not succeed, such as the setting of a trap that did not catch anything, one may document the unrealized intention using P21 had general purpose (was purpose of):E55 Type and/or P33 used specific technique (was used by): E29 Design or Procedure.

• Van Eyck’s pigment grinding in 1432 (E7) had specific purpose the painting of the Ghent alter piece (E12)

Quantification: many to many (0,n:0,n)
Scope note:

• Van Eyck’s pigment grinding in 1432 (E7) had specific purpose the painting of the Ghent altar piece (E12)

Quantification: many to many (0,n,0,n)
Scope note:

This property describes the relationship between a preparatory activity and the activity it is intended for.

This may involve activities in preparation for other activities, or orders and other organisational activities, which lead to some other specific activity.

P20 had specific purpose (was purpose of) does not imply that an activity succeeded in achieving its aims. For example, dubious accounting practices may be carried out with the specific purpose of enhancing share values and enabling a take-over bid. The specific purpose remains the same even if the strategy fails and the company goes bankrupt instead.

• Van Eyck’s pigment grinding (E7) had specific purpose the painting of the Ghent alter piece (E12)

Quantification: many to many (0,n:0,n)
Scope note:

• Van Eyck’s pigment grinding in 1432 (E7) had specific purpose the painting of the Ghent altar piece (E12)

Quantification: many to many (0,n:0,n)
Scope note:

• Van Eyck’s pigment grinding in 1432 (E7) had specific purpose the painting of the Ghent altar piece (E12)

Quantification: many to many (0,n,0,n)
Scope note:

This property identifies the relationship between a preparatory activity, an instance of E7 Activity and the instance of E7 Event it is intended to be preparation for.

This includes activities, orders and other organisational actions, taken in preparation for other activities or events.

P20 had specific purpose (was purpose of) implies that an activity succeeded in achieving its aim. If it does not succeed, such as the setting of a trap that did not catch anything, one may document the unrealized intention using P21 had general purpose (was purpose of): E55 Type and/or P33 used specific technique (was used by): E29 Design or Procedure.

• Van Eyck’s pigment grinding in 1432 (E7) had specific purpose the painting of the Ghent altar piece (E12). (Borchert, 2008)

Quantification: many to many (0,n:0,n)
Scope note:

• Van Eyck’s pigment grinding in 1432 (E7) had specific purpose the painting of the Ghent altar piece (E12)

Quantification: many to many (0,n,0,n)
Scope note:

This property identifies the relationship between a preparatory activity and the event it is intended to be preparation for.

This includes activities, orders and other organisational actions, taken in preparation for other activities or events.

P20 had specific purpose (was purpose of) implies that an activity succeeded in achieving its aim. If it does not succeed, such as the setting of a trap that did not catch anything, one may document the unrealized intention using P21 had general purpose (was purpose of):E55 Type and/or P33 used specific technique (was used by): E29 Design or Procedure.

• Van Eyck’s pigment grinding in 1432 (E7) had specific purpose the painting of the Ghent alter piece (E12)

Quantification: many to many (0,n:0,n)
Scope note:

• Van Eyck’s pigment grinding in 1432 (E7) had specific purpose the painting of the Ghent altar piece (E12)

Quantification: many to many (0,n:0,n)
Scope note:

• Van Eyck’s pigment grinding in 1432 (E7) had specific purpose the painting of the Ghent altar piece (E12) (Borchert, 2008)

Quantification: many to many (0,n:0,n)
Scope note:

• Van Eyck’s pigment grinding (E7) had general purpose painting (E55)
• The setting of trap 2742 on May 17th 1874 (E7)  had general purpose Catching Moose (E55) (Activity type

Quantification: many to many (0,n,0,n)
Scope note:

This property describes an intentional relationship between an E7 Activity and some general goal or purpose.

This may involve activities intended as preparation for some type of activity or event. P21had general purpose (was purpose of) differs from P20 had specific purpose (was purpose of) in that no occurrence of an event is implied as the purpose.

• Van Eyck’s pigment grinding (E7) had general purpose painting (E55)
• The setting of trap 2742 on May 17^th 1874 (E7) had general purpose Catching Moose (E55) (Activity type

Quantification: many to many (0,n:0,n)
Scope note:

• Van Eyck’s pigment grinding (E7) had general purpose painting (E55)
• The setting of trap 2742 on May 17th 1874 (E7)  had general purpose Catching Moose (E55) (Activity type

Quantification: many to many (0,n,0,n)
Scope note:

This property describes an intentional relationship between an E7 Activity and some general goal or purpose.

This may involve activities intended as preparation for some type of activity. For example, a musician practices an instrument in order to develop his or her musical ability, Van Eyck ground pigments and prepared oil paints in order to paint oil paintings. I travel to Oxford in order to work more effectively face-to-face rather than by email and telephone. P21had general purpose (was purpose of) differs from P20 had specific purpose (was purpose of) in that no specific activity is implied as the purpose. E7 Activity does not imply that an activity succeeds in achieving its general aims.

• Van Eyck’s pigment grinding (E7) had general purpose painting (E55)

Quantification: many to many (0,n:0,n)
Scope note:

• Van Eyck’s pigment grinding (E7) had general purpose painting (E55)
• The setting of trap 2742 on May 17th 1874 (E7)  had general purpose Catching Moose (E55) (Activity type

Quantification: many to many (0,n:0,n)
Scope note:

• Van Eyck’s pigment grinding (E7) had general purpose painting (E55)
• The setting of trap 2742 on May 17th 1874 (E7)  had general purpose Catching Moose (E55) (Activity type

Quantification: many to many (0,n,0,n)
Scope note:

This property describes an intentional relationship between an instance of E7 Activity and some general goal or purpose, described as an instance of E55 Type.

This may involve activities intended as preparation for some type of activity or event. P21 had general purpose (was purpose of) differs from P20 had specific purpose (was purpose of) in that no occurrence of an event is implied as the purpose.

• Van Eyck’s pigment grinding (E7) had general purpose painting (E55). (Borchert, 2008)
• The setting of trap 2742 on 17^th of May 1874 (E7) had general purpose catching moose (E55). [Activity type] (fictitious)
• The construction of the Berlin Wall starting 13^th of August 1961 (E12) had general purpose preventing emigration (E55). (History.com Editors, 2020)
• The reinforcement of the Mexico-United States barrier between the United States of America and Mexico in Fall 2019 (E11) had general purpose preventing immigration (E55).
• The rebuilding of the city walls of Heraklion by the Venetian rulers starting in 1462 (E12) had general purpose preventing conquest by enemy (E55). (YouIngGreece.com, 2020)
• The building of the seawall in Hamamatsu, Shizuoka, Japan between 2014 and 2020 (E12) had general purpose preventing inland flooding by tsunami (E55).

Quantification: many to many (0,n:0,n)
Scope note:

• Van Eyck’s pigment grinding (E7) had general purpose painting (E55)
• The setting of trap 2742 on May 17th 1874 (E7)  had general purpose Catching Moose (E55) (Activity type

Quantification: many to many (0,n,0,n)
Scope note:

This property describes an intentional relationship between an E7 Activity and some general goal or purpose.

This may involve activities intended as preparation for some type of activity or event. P21had general purpose (was purpose of) differs from P20 had specific purpose (was purpose of) in that no occurrence of an event is implied as the purpose.

• Van Eyck’s pigment grinding (E7) had general purpose painting (E55)
• The setting of trap 2742 on May 17^th 1874 (E7) had general purpose Catching Moose (E55) (Activity type

Quantification: many to many (0,n:0,n)
Scope note:

• Van Eyck’s pigment grinding (E7) had general purpose painting (E55)
• The setting of trap 2742 on May 17th 1874 (E7)  had general purpose Catching Moose (E55) (Activity type

Quantification: many to many (0,n:0,n)
Scope note:

• Van Eyck’s pigment grinding (E7) had general purpose painting (E55)
• The setting of trap 2742 on May 17th 1874 (E7)  had general purpose Catching Moose (E55) (Activity type) (fictitious)
• The construction of the Berlin Wall starting 13. August 1961 (E12) had general purposePreventing Emigration (E55) (History.com Editors, 2020)
• The reinforcement of the Mexico-United States barrier between the United States of America and Mexico in Fall 2019 (E11) had general purposePreventing Immigration (E55)

Quantification: many to many (0,n:0,n)
Scope note:

acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title to Geneva Ethnography Museum (E74)

Quantification: many to many (0,n,0,n)
Scope note:

This property identifies the E39 Actor that acquires the legal ownership of an object as a result of an E8 Acquisition.

The property will typically describe an Actor purchasing or otherwise acquiring an object from another Actor. However, title may also be acquired, without any corresponding loss of title by another Actor, through legal fieldwork such as hunting, shooting or fishing.

In reality the title is either transferred to or from someone, or both.

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title to Geneva Ethnography Museum (E74)

Quantification: many to many (0,n:0,n)
Scope note:

acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title to Geneva Ethnography Museum (E74)

Quantification: many to many (0,n,0,n)
Scope note:

This property identifies the E39 Actor that acquires the legal ownership of an object as a result of an E8 Acquisition Event.

The property will typically describe an Actor purchasing or otherwise acquiring an object from another Actor. However, title may also be acquired, without any corresponding loss of title by another Actor, through legal fieldwork such as hunting, shooting or fishing.

In reality the title is either transferred to or from someone, or both.

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title to Geneva Ethnography Museum (E74)

Quantification: many to many (0,n:0,n)
Scope note:

acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title to Geneva Ethnography Museum (E74)

Quantification: many to many (0,n:0,n)
Scope note:

acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title to Geneva Ethnography Museum (E74)

Quantification: many to many (0,n,0,n)
Scope note:

This property identifies the instance of E39 Actor that acquires the legal ownership of an object as a result of an instance of E8 Acquisition.

The property will typically describe an Actor purchasing or otherwise acquiring an object from another Actor. However, title may also be acquired, without any corresponding loss of title by another Actor, through legal fieldwork such as hunting, shooting or fishing.

In reality the title is either transferred to or from someone, or both.

• The acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title to the Geneva Ethnography Museum (E74).

Quantification: many to many (0,n:0,n)
Scope note:

acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title to Geneva Ethnography Museum (E74)

Quantification: many to many (0,n,0,n)
Scope note:

This property identifies the E39 Actor that acquires the legal ownership of an object as a result of an E8 Acquisition.

The property will typically describe an Actor purchasing or otherwise acquiring an object from another Actor. However, title may also be acquired, without any corresponding loss of title by another Actor, through legal fieldwork such as hunting, shooting or fishing.

In reality the title is either transferred to or from someone, or both.

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title to Geneva Ethnography Museum (E74)

Quantification: many to many (0,n:0,n)
Scope note:

acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title to Geneva Ethnography Museum (E74)

Quantification: many to many (0,n:0,n)
Scope note:

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title to Geneva Ethnography Museum (E74)

Quantification: many to many (0,n:0,n)
Scope note:

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title from Heirs of Amoudrouz (E74)

Quantification: many to many (0,n,0,n)
Scope note:

This property identifies the E39 Actor or Actors who relinquish legal ownership as the result of an E8 Acquisition.

The property will typically be used to describe a person donating or selling an object to a museum. In reality title is either transferred to or from someone, or both.

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title from Heirs of Amoudrouz (E74)

Quantification: many to many (0,n:0,n)
Scope note:

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title from Heirs of Amoudrouz (E74)

Quantification: many to many (0,n,0,n)
Scope note:

This property identifies the E39 Actor or Actors who relinquish legal ownership as the result of an E8 Acquisition Event.

The property will typically be used to describe a person donating or selling an object to a museum. In reality title is either transferred to or from someone, or both.

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title from Heirs of Amoudrouz (E74)

Quantification: many to many (0,n:0,n)
Scope note:

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title from Heirs of Amoudrouz (E74)

Quantification: many to many (0,n:0,n)
Scope note:

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title from Heirs of Amoudrouz (E74)

Quantification: many to many (0,n,0,n)
Scope note:

This property identifies the instance(s) of E39 Actor who relinquish legal ownership as the result of an instance of E8 Acquisition.

The property will typically be used to describe a person donating or selling an object to a museum. In reality title is either transferred to or from someone, or both.

• The acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title from the Heirs of Amoudrouz (E74).

Quantification: many to many (0,n:0,n)
Scope note:

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title from Heirs of Amoudrouz (E74)

Quantification: many to many (0,n,0,n)
Scope note:

This property identifies the E39 Actor or Actors who relinquish legal ownership as the result of an E8 Acquisition.

The property will typically be used to describe a person donating or selling an object to a museum. In reality title is either transferred to or from someone, or both.

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title from Heirs of Amoudrouz (E74)

Quantification: many to many (0,n:0,n)
Scope note:

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title from Heirs of Amoudrouz (E74)

Quantification: many to many (0,n:0,n)
Scope note:

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title from Heirs of Amoudrouz (E74)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title of Amoudrouz Collection (E78)

Quantification: many to many,necessary (1,n,0,n)
Scope note:

This property identifies the E18 Physical Thing or things involved in an E8 Acquisition.

In reality, an acquisition must refer to at least one transferred item.

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title of Amoudrouz Collection (E78)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title of Amoudrouz Collection (E78)

Quantification: many to many,necessary (1,n,0,n)
Scope note:

This property identifies the E19 Physical Object or objects involved in an E8 Acquisition Event.

In reality, an acquisition must refer to at least one transferred item.

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title of Amoudrouz Collection (E78)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title of Amoudrouz Collection (E78)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title of Amoudrouz Collection (E78)

Quantification: many to many,necessary (1,n,0,n)
Scope note:

This property identifies the instance(s) of E18 Physical Thing involved in an instance of E8 Acquisition.

In reality, an acquisition must refer to at least one transferred item.

• The acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title of the Amoudrouz Collection (E78).

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title of Amoudrouz Collection (E78)

Quantification: many to many,necessary (1,n,0,n)
Scope note:

This property identifies the E18 Physical Thing or things involved in an E8 Acquisition.

In reality, an acquisition must refer to at least one transferred item.

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title of Amoudrouz Collection (E78)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title of Amoudrouz Collection (E78)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• acquisition of the Amoudrouz collection by the Geneva Ethnography Museum (E8) transferred title of Amoudrouz Collection (E78)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• Monet´s “Impression sunrise” (E22) moved by preparations for the First Impressionist Exhibition (E9)

Quantification: many to many,necessary (1,n,0,n)
Scope note:

This property identifies the E19 Physical Object that is moved during a move event.

The property implies the object’s passive participation. For example, Monet’s painting “Impression sunrise” was moved for the first Impressionist exhibition in 1874.

In reality, a move must concern at least one object.

• Monet´s “Impression sunrise” (E22) moved by preparations for the First Impressionist Exhibition (E9)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• Monet´s “Impression sunrise” (E22) moved by preparations for the First Impressionist Exhibition (E9)

Quantification: many to many,necessary (1,n,0,n)
Scope note:

This property identifies the E19 Physical Object that is moved during a move event.

The property implies the object’s passive participation. For example, Monet’s painting “Impression sunrise” was moved for the first Impressionist exhibition in 1874.

In reality, a move must concern at least one object.

• Monet´s “Impression sunrise” (E22) moved by preparations for the First Impressionist Exhibition (E9)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• Monet´s “Impression sunrise” (E22) moved by preparations for the First Impressionist Exhibition (E9)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• Monet´s “Impression sunrise” (E22) moved by preparations for the First Impressionist Exhibition (E9)

Quantification: many to many,necessary (1,n,0,n)
Scope note:

This property identifies an instance of E19 Physical Object that was moved by an instance of E9 Move. A move must concern at least one object.

The property implies the object’s passive participation. For example, Monet’s painting “Impression sunrise” was moved for the first Impressionist exhibition in 1874.

• Monet´s “Impression sunrise” (E22) moved by preparations for the First Impressionist Exhibition (E9).

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• Monet´s “Impression sunrise” (E22) moved by preparations for the First Impressionist Exhibition (E9)

Quantification: many to many,necessary (1,n,0,n)
Scope note:

This property identifies the E19 Physical Object that is moved during a move event.

The property implies the object’s passive participation. For example, Monet’s painting “Impression sunrise” was moved for the first Impressionist exhibition in 1874.

In reality, a move must concern at least one object.

• Monet´s “Impression sunrise” (E22) moved by preparations for the First Impressionist Exhibition (E9)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• Monet´s “Impression sunrise” (E22) moved by preparations for the First Impressionist Exhibition (E9)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• Monet´s “Impression sunrise” (E22) moved by preparations for the First Impressionist Exhibition (E9)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• the movement of the Tut-Ankh-Amun Exhibition (E9) moved to The British Museum (E53)

Quantification: many to many,necessary (1,n,0,n)
Scope note:

This property identifies the destination of a E9 Move.

A move will be linked to a destination, such as the move of an artefact from storage to display. A move may be linked to many terminal instances of E53 Places. In this case the move describes a distribution of a set of objects. The area of the move includes the origin, route and destination.

• the movement of the Tut-Ankh-Amun Exhibition (E9) moved to The British Museum (E53)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• the movement of the Tut-Ankh-Amun Exhibition (E9) moved to The British Museum (E53)

Quantification: many to many,necessary (1,n,0,n)
Scope note:

This property identifies the destination of a E9 Move.

A move will be linked to a destination, such as the move of an artefact from storage to display. A move may be linked to many terminal instances of E53 Places. In this case the move describes a distribution of a set of objects. The area of the move includes the origin, route and destination.

• the movement of the Tutenkhamun Exhibition (E9) moved to The British Museum (E53)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• the movement of the Tut-Ankh-Amun Exhibition (E9) moved to The British Museum (E53)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• the movement of the Tut-Ankh-Amun Exhibition (E9) moved to The British Museum (E53)

Quantification: many to many,necessary (1,n,0,n)
Scope note:

This property identifies a destination, an instance of E53 place, of an instance of E9 Move.

A move will be linked to a destination, such as the move of an artifact from storage to display. A move may be linked to many terminal instances of E53 Place by multiple instances of this property. In this case the move describes a distribution of a set of objects. The area of the move includes the origin(s), route and destination(s).

Therefore, the described destination is an instance of E53 Place which P89 falls within (contains) the instance of E53 Place the move P7 took place at.

• The movement of the exhibition Tutankhamun: Treasures of the Golden Pharaoh between 15^th of September and 2^nd of November 2019 (E9) moved to the Saatchi Gallery London (E53).

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• the movement of the Tut-Ankh-Amun Exhibition (E9) moved to The British Museum (E53)

Quantification: many to many,necessary (1,n,0,n)
Scope note:

This property identifies the destination of a E9 Move.

A move will be linked to a destination, such as the move of an artefact from storage to display. A move may be linked to many terminal instances of E53 Places. In this case the move describes a distribution of a set of objects. The area of the move includes the origin, route and destination.

• the movement of the Tutenkhamun Exhibition (E9) moved to The British Museum (E53)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• the movement of the Tut-Ankh-Amun Exhibition (E9) moved to The British Museum (E53)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• The movement of the exhibition "Tutankhamun: Treasures of the Golden Pharaoh" between Sept 15 and Nov 2 2019 (E9) moved to to the Saatchi Gallery London (E53)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• the movement of the Tut-Ankh-Amun Exhibition (E9) moved from The Egyptian Museum in Cairo (E53)

Quantification: many to many,necessary (1,n,0,n)
Scope note:

This property identifies the starting E53 Place of an E9 Move.

A move will be linked to an origin, such as the move of an artefact from storage to display. A move may be linked to many origins. In this case the move describes the picking up of a set of objects. The area of the move includes the origin, route and destination.

• the movement of the Tut-Ankh-Amun Exhibition (E9) moved from The Egyptian Museum in Cairo (E53)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• the movement of the Tut-Ankh-Amun Exhibition (E9) moved from The Egyptian Museum in Cairo (E53)

Quantification: many to many,necessary (1,n,0,n)
Scope note:

This property identifies the starting E53 Place of an E9 Move.

A move will be linked to an origin, such as the move of an artefact from storage to display. A move may be linked to many origins. In this case the move describes the picking up of a set of objects. The area of the move includes the origin, route and destination.

• the movement of the Tutenkhamun Exhibition (E9) moved from The Egyptian Museum in Cairo (E53)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• the movement of the Tut-Ankh-Amun Exhibition (E9) moved from The Egyptian Museum in Cairo (E53)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• the movement of the Tut-Ankh-Amun Exhibition (E9) moved from The Egyptian Museum in Cairo (E53)

Quantification: many to many,necessary (1,n,0,n)
Scope note:

This property identifies an origin, an instance of E53 Place, of an instance of E9 Move.

A move will be linked to an origin, such as the move of an artifact from storage to display. A move may be linked to many starting instances of E53 Place by multiple instances of this property. In this case the move describes the picking up of a set of objects. The area of the move includes the origin(s), route and destination(s).

Therefore, the described origin is an instance of E53 Place which P89 falls within (contains) the instance of E53 Place the move P7 took place at.

• The movement of the exhibition Tutankhamun: Treasures of the Golden Pharaoh between 15^th of September and 2^nd of November 2019 (E9) moved from Paris, Grande Halle de la Villette (E53).

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• the movement of the Tut-Ankh-Amun Exhibition (E9) moved from The Egyptian Museum in Cairo (E53)

Quantification: many to many,necessary (1,n,0,n)
Scope note:

This property identifies the starting E53 Place of an E9 Move.

A move will be linked to an origin, such as the move of an artefact from storage to display. A move may be linked to many origins. In this case the move describes the picking up of a set of objects. The area of the move includes the origin, route and destination.

• the movement of the Tutenkhamun Exhibition (E9) moved from The Egyptian Museum in Cairo (E53)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• the movement of the Tut-Ankh-Amun Exhibition (E9) moved from The Egyptian Museum in Cairo (E53)

Quantification: many to many, necessary (1,n:0,n)
Scope note:

• The movement of the exhibition "Tutankhamun: Treasures ofthe Golden Pharaoh" between Sept 15 and Nov 2 2019 (E9) moved from Paris, Grande Halle de la Villette (E53)

Quantification: many to many (0,n:0,n)
Scope note:

• the Secure Deliveries Inc. crew (E40) surrendered custody through The delivery of the paintings by Secure Deliveries Inc. to the National Gallery (E10).

Quantification: many to many (0,n,0,n)
Scope note:

This property identifies the E39 Actor or Actors who surrender custody of an instance of E18 Physical Thing in an E10 Transfer of Custody activity.

The property will typically describe an Actor surrendering custody of an object when it is handed over to someone else’s care. On occasion, physical custody may be surrendered involuntarily – through accident, loss or theft.

In reality, custody is either transferred to someone or from someone, or both.

• the Secure Deliveries Inc. crew (E40) surrendered custody through The delivery of the paintings by Secure Deliveries Inc. to the National Gallery (E10).

Quantification: many to many (0,n:0,n)
Scope note:

• the Secure Deliveries Inc. crew (E40) surrendered custody through The delivery of the paintings by Secure Deliveries Inc. to the National Gallery (E10).

Quantification: many to many (0,n,0,n)
Scope note:

This property identifies the E39 Actor or Actors who surrender custody of an instance of E18 Physical Stuff in an E10 Transfer of Custody activity.

The property will typically describe an Actor surrendering custody of an object when it is handed over to someone else’s care. On occasion, physical custody may be surrendered involuntarily – through accident, loss or theft.

In reality, custody is either transferred to someone or from someone, or both.

• the Secure Deliveries Inc. crew (E40) surrendered custody through The delivery of the paintings by Secure Deliveries Inc. to the National Gallery (E10).

Quantification: many to many (0,n:0,n)
Scope note:

• the Secure Deliveries Inc. crew (E40) surrendered custody through The delivery of the paintings by Secure Deliveries Inc. to the National Gallery (E10).

Quantification: many to many (0,n:0,n)
Scope note:

• the Secure Deliveries Inc. crew (E40) surrendered custody through The delivery of the paintings by Secure Deliveries Inc. to the National Gallery (E10).

Quantification: many to many (0,n,0,n)
Scope note:

This property identifies the instance(s) of E39 Actor who surrender custody of an instance of E18 Physical Thing in an instance of E10 Transfer of Custody.

The property will typically describe an Actor surrendering custody of an object when it is handed over to someone else’s care. On occasion, physical custody may be surrendered involuntarily – through accident, loss or theft.

In reality, custody is either transferred to someone or from someone, or both.

• The Secure Deliveries Inc. crew (E74) surrendered custody through The delivery of the paintings by Secure Deliveries Inc. to the National Gallery (E10).

Quantification: many to many (0,n:0,n)
Scope note:

• the Secure Deliveries Inc. crew (E40) surrendered custody through The delivery of the paintings by Secure Deliveries Inc. to the National Gallery (E10).