Skip to main content

User account menu

  • Log in
Home
CIDOC CRM

Cidoc Horizontal Menu

  • Home
    • About & Info
    • Use & Learn
    • Issues
    • Mappings
    • Compatible Models
    • Use Cases
    • Best Practices
  • Activities
  • Resources
  • Community
  • News

Choose a shortcut

Compatible models & Collaborations
Link to old CIDOC CRM website
Next meeting
Use cases
CIDOC CRM Tutorial
CIDOC CRM Website designs and logos 
CRM SIG mailing list
Editorial Suggestions
Site Support

 

F22 Self-Contained Expression

This class comprises the immaterial realisations of individual works at a particular time that are regarded as a complete whole. The quality of wholeness reflects the intention of its creator that this expression should convey the concept of the work. Such a whole can in turn be part of a larger whole.
Inherent to the notion of work is the completion of recognisable outcomes of the work. These outcomes, i.e. the Self-Contained Expressions, are regarded as the symbolic equivalents of Individual Works, which form the atoms of a complex work. A Self-Contained Expression may contain expressions or parts of expressions from other work, such as citations or items collected in anthologies. Even though they are incorporated in the Self-Contained Expression, they are not regarded as becoming members of the expressed container work by their inclusion in the expression, but are rather regarded as foreign or referred to elements.
F22 Self-Contained Expression can be distinguished from F23 Expression Fragment in that an F23 Expression Fragment was not intended by its creator to make sense by itself. Normally creators would characterise an outcome of a work as finished. In other cases, one could recognise an outcome of a work as complete from the elaboration or logical coherence of its content, or if there is any historical knowledge about the creator deliberately or accidentally never finishing (completing) that particular expression. In all those cases, one would regard an expression as self-contained.

The Italian text of Dante’s ‘Inferno’ as found in the authoritative critical edition La Commedia secondo l’antica vulgata a cura di Giorgio Petrocchi, Milano: Mondadori, 1966-67 (= Le Opere di Dante Alighieri, Edizione Nazionale a cura della Società Dantesca Italiana, VII, 1-4)
The musical notation of Franz Schubert’s lied known as ‘Ave Maria’
The musical notation of Franz Schubert’s lieder cycle entitled ‘Seven Songs after Walter Scott’s The Lady of the Lake’, of which ‘Ave Maria’ is a distinct part
The musical notation of Franz Liszt’s piano transcription of Franz Schubert’s lied known as ‘Ave Maria’

LRMoo
FRBRoo v. 2.1
22

THE MODEL

  • About & Info
  • Short Intro
  • Scope
  • Recommendations
  • References
  • Critics
  • Important Theories
  • Use&Learn
  • Short Intro
  • User Guidance
  • Methodology
  • Tutorials
  • Functional Overview
  • Last Official Release
  • Concept Search
  • Issues
  • Short Intro
  • Issue Formulation
  • Issue Processing
  • CRM SIG Archive
  • Mappings
  • Short Intro
  • Mapping Methods
  • Mapping Tools
  • Mapping Memory
  • Reports about Mappings
  • Compatible Models
  • Short Intro
  • Models
  • Use Cases
  • Short Intro
  • Use Cases

RESOURCES

  • Related Activities
  • Versions
  • References
  • Presentations
  • Technical Papers
  • Tutorials
  • Critics
  • Important Theories
  • Publications
  • Mappings
  • Compatible Models
  • Translations
  • Best Practices
  • Meeting Contributions
  • Minutes
  • Issues
  • CRM SIG Archive
  • Meeting Contributions

ACTIVITIES

  • Short Intro
  • SIG Meetings
  • Minutes
  • Workshops
  • Related Activities

PEOPLE

  • Short Intro
  • Related Stakeholders
  • SIG Members
  • Hosts

NEWS

HOME

 

 

Copyright © 2025 Company Name - All rights reserved

Developed & Designed by Alaa Haddad